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Finniss Springs, located south of the Oodnadatta Track some 50km west of Marree, has a fascinating and unique story to tell. This pastoral station was established at the site in 1922 by Francis Dunbar Warren (the youngest son of well connected politician and pastoralist Scotsman, John Warren of Anna Creek). Warren married an Arabana woman, and with their 7 children lived at the site until his death in 1958.

More than 100 Aboriginals lived or camped at Finniss Springs, and at a time when Aboriginal and part Aboriginal children were taken away from their parents, Warren refused to allow the Finniss Springs children to be removed.

One morning, the police from Oodnadatta approached the property and attempted to remove the Warren children and others of mixed descent from the station; it was said that Francis Warren forced them to retreat at gunpoint.

In 1939 he agreed to the United Aboriginal Mission establishing a church, school and other facilities adjacent to his station complex, thus establishing a safe environment for the Arabana people. All the station children’s births were registered and individual bank accounts were set up for aboriginal station workers, both unique steps for the time. At Finniss Springs, Aboriginal families could live together, find part time employment on the Pastoral Station, and children receive both traditional and European education.

Finniss Springs Mission is of special interest for two reasons: it commenced as a private rather than a government or church initiative, and it is remembered with great affection by former and still surviving Aboriginal residents, unlike most other mission settlements. Warren was pivotal to its success, and the mission closed two years after his death. The site, a symbol of reconciliation of Aboriginal and European worlds, is now under the control of the Marree Arabana Peoples Committee.

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Certificate of AuthenticityEvery original artwork by Presten Warren includes a signed and sealed Certificate of Authenticity.
This confirms the artwork is a genuine Aboriginal piece created by an Indigenous artist and documents the title, story, materials and year of creation.

MaterialsCanvas - All paintings are created on premium, double-primed 100% cotton fine-art canvas.
Paints - Presten uses professional-grade Jo Sonja acrylic paints and Chroma products to ensure long-lasting colour, durability and archival quality.
Framing - Framing is completed by a professional fine-art framer using high-quality timber, strong stretcher bars and gallery-grade construction. This ensures your artwork remains stable, secure and display-ready for many years. If you need a specific frame style or custom sizing, we can arrange this for you on request.

Framing OptionsArtworks can be delivered either:
Unstretched - Rolled canvas, ideal for international shipping or custom framing in your local area.
Stretched - Professionally stretched onto high-quality timber stretcher bars and ready to hang without an outer frame.
Framed - Fully framed by our professional fine-art framer using gallery-grade materials and a floating frame in your chosen colour. We will contact you after your purchase to help select the perfect frame. Please allow additional time for stretching/framing services.

International Shipping & DeliveryAll artworks are shipped insured via FedEx or Australia Post. Each piece is securely wrapped and packaged in heavy-duty tubes or boxes to ensure safe delivery. You will receive a tracking number via email after checkout. Shipping is free within Australia. International customers often choose unstretched canvas for easier, affordable framing overseas. Please allow additional time for stretching or framing if required.

Care InstructionsKeep your artwork out of direct sunlight.
Display in a cool, dry space away from humidity.
Clean gently with a soft, dry or slightly damp cloth only.
Avoid chemical cleaners or sprays, as they may damage the surface.
If storing, wrap artwork or prints in acid-free archival paper.
Do not stack artworks directly against each other.

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© Presten Warren 2026

I acknowledge and pay respect to the Traditional Custodians of the land we live and work on. I extend my respects to Elders, both past, present and emerging; and recognise the continuing connection to lands, waters and communities of all Aboriginal and Torres Strait Islander peoples today.